If you have been a webmaster for any length of time, you most likely know all about pagerank, and have been working to get yours up. PageRank relies on the uniquely democratic nature of the web by using its vast link structure as an indicator of an individual page’s value. In essence, Google interprets a link from page A to page B as a vote, by page A, for page B. But, Google looks at more than the sheer volume of votes, or links a page receives; it also analyzes the page that casts the vote. Votes cast by pages that are themselves “important” weigh more heavily and help to make other pages “important”.
Put even simpler, we will start from the beginning. Google is the largest web search engine online today, and will always be. From junior high schools to retirement homes, the latest trend when you want a question answered is to “Google It”. This phrase has swept the nation and almost everyone currently uses it. If you’re a webmaster, you want to be on the top of the results and to do this, you need a decent Google PageRank.
Google PageRank is based on a scale of 0 to 10, with 10 being the highest. Sites with PR0 have either just started, or were bought and never had any content or traffic. You should be able to attain a PR1 quite easily. Your PageRank is based on the number of links directing to your sites from other sites. The more you have, the more you will go up in rank obviously. But don’t be fooled, some sites are better to be linked from than others. Being linked to on a PR7 site will do a large amount of good compared to a PR1. PR0 links are virtually useless as they are new and have no content, so their links mean practically nothing.
PageRank does work and is efficient for getting your site into some keywords on Google’s monopoly of a search engine, but overall it is not worth the hassle and is a dead market. Google does not show results on a page solely based of PageRank as some seem to think. If you swap links with some large sites and manage to get a higher PR than that of a site that has been running for 5 years solid, they will most definately get the higher result. Why? Established sites mean everything. Google strives to link it’s users to the most relevant information and most likely the site that has been active for 5 years will have better content and more information on the subject than your 3 month old site. Inevitably, PageRank is just another tool to rank yourself against other websites of the same niché to see where you stand.
Google has opened an entirely new market by simply allowing this new feature to be used. While it is somewhat beneficial to the engine as a whole, it could simply be hidden because it is not solely relying on backlinks like everyone believes. Users are now paying up to $100+/month to have their link posted in a PR7 link directory. A link directory is a site that contains just links, and that is all, it is created solely for the use of boosting PageRank and is against Google TOS. People have literally wasted thousands of dollars getting backlinks. Sometimes it works out in the end but most often, it does not.
As stated above Google is now a monopoly online and quite literally anything they brand with their logo, they will start making millions from. There is no denying that PageRank is an excellent tool to use in their search engine, but it has started a spending spree that is leading most people nowhere.
Showing posts with label business. Show all posts
Showing posts with label business. Show all posts
Sunday, 18 May 2008
Monday, 4 February 2008
Digital Theatre System-- DTS ?

DTS (Digital Theater Systems), is a multi-channel digital surround sound format used for both commercial/theatrical and consumer grade applications. It is used for in-movie sound both on film and on DVD, and during the last few years of the format's existence, several Laserdisc releases had DTS soundtracks.
The basic and most common version of the format is a 5.1 channel system, similar to a Dolby Digital setup, which encodes the audio as five primary (full-range) channels plus a special LFE (low-frequency effect) channel, for the subwoofer.Note however that encoders and decoders support numerous channel combinations and stereo, four-channel and four-channel+LFE soundtracks have been released commercially on DVD, CD and Laserdisc.
Other newer DTS variants are also currently available, including versions that support up to seven primary audio channels plus one LFE channel (DTS-ES). DTS's main competitors in multichannel theatrical audio are Dolby Digital and SDDS, although only Dolby Digital and DTS are used on DVDs and implemented in home theater hardware.
In theatrical use, information in the form of a modified time code is optically imaged onto the film. An optical LED reader reads the timecode data off the film and sends it to the DTS processor which uses this timecode to synchronize the projected image with the soundtrack audio. The actual audio is recorded in compressed form on standard CD-ROM media at a bitrate of 1,103 kbit/s. The processor also acts as a transport mechanism, as it holds and reads the audio discs. Newer units can generally hold three discs, allowing a single processor/transport to handle two-disc film soundtracks along with a third disc containing sound for theatrical trailers. In addition, specific elements of the imprinted timecode allow identifying data to be embedded within the code, ensuring that a certain film's soundtrack will only run with that film. DTS provided the Digital Audio for IMAX until 2001, when Dolby took over.
DTS and Dolby Digital (AC-3), DTS's chief competitor in the cinema and home theater market, are often compared due to their similarity in product goals. In theatrical installations, AC-3 audio is placed between sprocket holes, leaving the audio content susceptible to physical damage due to film wear and mishandling. DTS audio is stored on a separate set of CD-ROM media, whose greater storage capacity affords the potential to deliver better audio fidelity. However, the separation of print film and audiotrack is both a blessing and a curse. AC-3 (and SDDS) reside entirely on the 35 mm film itself, simplifying distribution by eliminating an extra (optional) deliverable. But DTS's CD-ROM media is not subject to the usual wear and damage suffered by the film print during the normal course of the movie's theatrical screening. Disregarding the separate CD-ROM assembly as a potential point of failure, the DTS audiopath is comparatively impervious to film degradation, excepting that the film-printed timecode is completely destroyed.
Both music and movie DVDs allow delivery of DTS audio tracks. But DTS was not part of the original DVD specification (1997), so early DVD players did not recognize DTS audio tracks at all. The DVD specification was revised to allow optional inclusion of DTS audio tracks. The DVD title must carry one or more primary audio tracks in AC-3 or LPCM format (in Europe, MPEG-1 is also an allowed primary track format). The DTS audio track, if present, can be selected by the user. Modern DVD players generally rely on an external home theater receiver to decode DTS audio. DVD players with integrated DTS 5.1 decoders exist, but are not particularly common. Nearly all standalone receivers and many integrated ("home theater in a box") DVD player/receivers manufactured today can decode DTS.
DTS NEO:6, like Dolby's Pro Logic IIx system, can take stereo content and convert the sound into 5.1 or 6.1 channel format.
DTS 96/24 allows the delivery of 5.1 channels of 24-bit, 96 kHz audio and high quality video on the DVD-Video format.
DTS-HD High Resolution Audio, like DTS-HD Master Audio, is an extension to the original DTS audio format. It delivers up to 7.1 channels of sound at 96 kHz sampling frequency and 24 bit depth resolution. DTS-HD High Resolution Audio is selected as an optional surround sound format for Blu-ray Disc and HD DVD with constant bit rates up to respectively 6.0 Mbit/s and 3.0 Mbit/s. It is supposed to be an alternative for DTS-HD Master Audio where disc space may not allow it. For more info:http://www.dtsonline.com/
labVIEW

LabVIEW ( Laboratory Virtual Instrumentation Engineering Workbench) is a platform and development environment for a visual programming language from National Instruments. LabVIEW is commonly used for data acquisition, instrument control, and industrial automation.
The programming language used in LabVIEW, called G, is a dataflow programming language.Execution is determined by the structure of a graphical block diagram (the LV-source code) on which the programmer connects different function-nodes by drawing wires. These wires propagate variables and any node can execute as soon as all its input data become available.
LabVIEW programs/subroutines are called virtual instruments (VIs). Each VI has three components: a block diagram, a front panel and a connector pane. The latter may represent the VI as a subVI in block diagrams of calling VIs. Controls and indicators on the front panel allow an operator to input data into or extract data from a running virtual instrument. However, the front panel can also serve as a programmatic interface. Thus a virtual instrument can either be run as a program, with the front panel serving as a user interface, or, when dropped as a node onto the block diagram, the front panel defines the inputs and outputs for the given node through the connector pane. This implies each VI can be easily tested before being embedded as a subroutine into a larger program.
The graphical approach also allows non-programmers to build programs by simply dragging and dropping virtual representations of the lab equipment with which they are already familiar.LabVIEW includes a compiler that produces native code for the CPU platform.
One benefit of LabVIEW over other development environments is the extensive support for accessing instrumentation hardware.Many libraries with a large number of functions for data acquisition, signal generation, mathematics, statistics, signal conditioning, analysis, etc., along with numerous graphical interface elements are provided in several LabVIEW package options.
LabVIEW is a proprietary product of National Instruments. Unlike common programming languages such as C or FORTRAN, LabVIEW is not managed or specified by a third party standards committee such as ANSI.
For more informations on LabVIEW please visit this link: http://www.ni.com/labview85/industrial.htm
Sunday, 3 February 2008
Sony VAIO VGN-TX17GP

"Good Things Come in Small Packages"....
Sony VAIO VGN-TX17GP is an all new fully laptop,with small size. It is a power packed machin with Intel Pentium M processor running at 1.2 GHz with 2 MB L2 cache, 512MB DDR2 RAM and 60GB HDD. It has a fairly good sound quality and amazing software that allowed to attatch another computer at work or home as a media file server.It has a 28cm(11.i inch) TFT screen. The laptop comes with Bluetooth connectivity, inbuilt wireless LAN card, two USB ports, FireWire port, VGA port and SDcard/Memory Stick slot. The play,stop,pause and even AV mode button to switch from the TFT screen to an external display, and all these buttons are available even when the lid is closed.the volume controls are up in the front. The beauty of the laptop is its sophisticated design. you can use it for official meetings and also try out ur MP3s and vedio on it. The laptop weighs only 1.24Kg. If size is a matter for u, or u r searching for a small fully loaded laptop try Sony VAIO VGN-TX17GP
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